5.
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I think I got this album by mistake, actually. Remember Columbia House and BMG? I still belonged to one of those clubs back in 2006 or so. This album came out after Katrina - a somewhat strange collaboration between one of New Orleans' renowned R&B musicians and, well, Elvis Costello. I think this one was the "selection of the month" and I forgot to respond to the email or whatever. I probably wouldn't have gotten this album otherwise. Nothing against either artist - I just didn't really know anything about it beforehand. I had to give this one a couple of listens, and it's not bad, but it's not amazing, either. The album gets off to a slow start, but toward the end there are some really nice songs. I'm glad I gave this one a listen again. It did at least remind me to put the WWOZ app on my phone so I can listen to New Orleans jazz at work or whenever I want. It puts me in a good mood every time.
6.
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This is the 2nd part of a 2-CD set that was given to me by a good friend that used to work for Malaco Records. To be honest, the 2nd CD isn't as good as the first. The first album has a lot of really classic soul and R&B hits that were recorded on the Malaco label back in the day. The 2nd CD has mostly modern-day songs that either sample the classics, or are just modern songs that were also recorded at Malaco, or that Malaco had the rights to. It was enjoyable enough.
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I was a Wilco fan before I delved into Uncle Tupelo. I like some of Son Volt's stuff, too, but to be honest Jay Farrar's voice grates on my nerves after a while. I remembered most of Uncle Tupelo's music as being of the "sad bastard" variety, and listening to it this week I think I can still kind of classify it as such. There are a few rockin' tunes, and overall it's pretty good driving music, but I did feel kinda bummed out by the end of it.
8. Keane -
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I just popped this one in today. This album is several years old now, but it still sounds pretty fresh to me. It's just a good pop album. I never noticed before how much the lead singer sounds like Freddie Mercury. Queen is listed as one of the band's influences, so that makes sense I suppose. Queen should've gotten Tom Chaplin to be their new frontman instead of that guy from Bad Company (although he has a great rock voice; it's just not anything like Freddie's operatic tenor).
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